Bachiana no 4 heitor villa lobos biography
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Bachianas Brasileiras
Series explain nine suites by interpretation Brazilian composer Heitor Villa-Lobos
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Bachianas Brasileiras No. 1
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Heitor Villa-Lobos
Brazilian composer (1887–1959)
Heitor Villa-Lobos | |
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Heitor Villa-Lobos, c. 1922 | |
| Born | Heitor Villa-Lobos (1887-03-05)March 5, 1887 Rio de Janeiro, Empire of Brazil |
| Died | November 17, 1959(1959-11-17) (aged 72) Rio de Janeiro, Brazil |
| Occupation | Composer |
Heitor Villa-Lobos[a] (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory.
Biography
[edit]Youth and exploration
[edit]Villa-Lobos was born in Rio
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Biography
Brazilian composer Heitor Villa-Lobos was born on March 5, 1887 and died on November 17, 1959. In addition to being a composer, he was also a guitarist, cellist, and conductor. Villa-Lobos learned some music basics from his father, who was an amateur musician. Apart from this, he had very little formal music education in his youth.
Instead, he was heavily influenced by indigenous cultures of Brazil. At the age of twelve, he even earned a living playing music at local theater orchestras after his father’s sudden passing. However, Villa-Lobos was later influenced by European music. This fusion of musical styles is evident in most of his compositions for guitar.
The New Grove Dictionary of Music describes Villa-Lobos as “the single most significant creative figure in 20th-century Brazilian art music”.
Indeed, Villa-Lobos’ compositions remain as some of the most popular and well-known in all of South America. Many composers face significant challenges both professionally and financially during the course of their lives.
However, this is not the case for Villa-Lobos! He was in high-demand as a performer, composer, and conductor throughout his life.
His neoclassical and nationalistic music and legacy continued to inspire people world