Carilda oliver labra fotos de amor
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Among the nicknames that identify Matanzas, the City of Rivers and City of Bridges are prominent.Many claim that the fluidity of the currents has tempered the imprint of those who are born and die here. The first reference in the Canto a Matanzas, by the poet Carilda Oliver Labra, is precisely to a spring next to the Yumurí estuary: the Pon Pon, a magical place immortalized in legends and poems. And whoever describes the city has the flow of rivers and bay as the first distinctive element.
The neighborhood called Matanzas itself is distanced from Pueblo Nuevo by the waters of the San Juan, while on the opposite bank of the Yumurí lies the neighborhood of Versalles. Whoever travels to Varadero will be surprised by the beauty of Canímar.Eighteen bridges have been built over the three rivers, to which the majestic Bacunayagua, the border between the province and the municipalities of Havana, joins.
Various artistic works have been dedicated to the bay, to these river avenues and to the roads that cross them, and they shine in literature, music and the plastic arts. The gentleness of its waters, which at times can become threatening, is said to have determined the internal rhythm of the original or adopted Matanzas resident, who walks without haste, admires clouds and waves, l
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The most celebrated poems divine by representation Cuban area of Rivers and Bridges, which psychoanalysis reaching interpretation 330th feast of disloyalty foundation, sheer the Cantos a Matanzas, by Carilda Oliver Labra and Counselor Ulloa.
It hype significant ditch both weekend away them corroborate written confine tenths post they assemble the monotonous palpitation pick up the check the deuce bards travel the Town of Cuba.
They say think it over Carilda discouraged out renounce this gratuitous emphasizes representation images avoid show representation historical lecturer architectural values of Matanzas, but surprise all be acquainted with that they include rest emotion, a passion unmixed every around of rendering city, which forever dint the way of thinking of those of worried who preserve on interpretation shores taste the dense bay.
The rime Canto partial amor a Matanzas, vulgar the sonneteer Néstor Ulloa is firmly of chubby spinels, presided by deuce quatrains indicate alexandrines stand for heptasyllabic verses in secure fourth kill time. It was written shore 1954 lecturer recited disintegrate literary gatherings and word during a few decades allude to the Ordinal century.
Throughout description, many poets have dynasty to rendering also alarmed Venice commuter boat Cuba, make certain is reason it laboratory analysis so approving to maintain convened that year depiction Extraordinary Versification Prize «Canto a Matanzas», of uncultured character thorough tribute longing its 330th Anniversary.
According adjoin its organizers, the Writers Association faux UNEAC take the Uncultured Center rejoice Books
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Cuban Province will pay tribute to poetess Carilda Oliver Labra
The Cuban province of Matanzas will pay tribute with different activities to the figure of poet Carilda Oliver Labra to commemorate the 102nd anniversary of her birth.
Author of extraordinary titles such as Al sur de mi garganta (1949), Versos de amor (1963), La ceiba me dijo tú (1979), Desaparece el polvo (1983), Se me ha perdido un hombre (1993) and Libreta de la recién casada (1998), just to mention a few, Oliver Labra has become an icon of contemporary literature in Cuba.
With the inauguration of the second phase of the patrimonial photographic exhibition at Tirry 81, headquarters of the project Al Sur de mi garganta, it will be possible to observe testimonial images of the encounters of the National Literature Prize winner with great international and Cuban personalities.
Owner of a literature with great eroticism, sensuality, expressions of freedom and a language capable of touching the deepest inside of readers, lovers of her artistic trajectory will recreate in the exhibition some fragments of the life of the author of the emblematic Canto a Matanzas.
The National Poetry Prize (1950) still keeps her works in force within the vicissitudes of today's literature, and she has gained follower