Erich Leinsdorf (conductor), Birgit Nilsson, Giorgio Tozzi, Jussi Björling, Renata Tebaldi
Puccini: Turandot
Rome Opera Orchestra
[2]
1962
Gabriele Santini (conductor), Victoria de los Ángeles, Jussi Björling, Miriam Pirazzini, Mario Sereni
Puccini: Madama Butterfly
Rome Opera Orchestra
[3]
1963
Georg Solti (conductor), Robert Merrill, Leontyne Price, Giorgio Tozzi, Jon Vickers
Verdi: Aida
Rome Opera House Orchestra
[4]
1964
Erich Leinsdorf (conductor), Rosalind Elias, Leontyne Price, Richard Tucker
Puccini: Madama Butterfly
RCA Italiana Opera Orchestra
[5]
1965
Herbert von Karajan (conductor) Franco Corelli, Mirella Freni, Robert Merrill, Leontyne Price
Bizet: Carmen
Vienna Philharmonic
[6]
1966
Karl Böhm (conductor), Dietrich Fischer-Dieskau, Evelyn Lear, Fritz Wunderlich
Berg: Wozzeck
German Opera Orchestra and Chorus
[7]
1967
Georg Solti (conductor), Régine Crespin, Hans Hotter, James King, Christa Ludwig, Birgit Nilsson
Wagner: Die Walküre
Vienna Philharmonic
[8]
1968
Thomas Z. Shepard (produ
•
Anexo:Premio Grammy a la mejor grabación de ópera
Año
Ganadores
Obra
Intérpretes
(no reciben premio)
Nominados
1961[3]
Erich Leinsdorf (dir.), Birgit Nilsson, Giorgio Tozzi, Jussi Björling, Renata Tebaldi
Puccini: Turandot
Rome Opera Orchestra
1962[4]
Gabriele Santini (dir.), Victoria de los Ángeles, Jussi Björling, Miriam Pirazzini, Mario Sereni
Puccini: Madama Butterfly
Rome Opera Orchestra
1963[5]
Georg Solti (dir.), Robert Merrill, Leontyne Price, Giorgio Tozzi, Jon Vickers
Verdi: Aida
Rome Opera House Orchestra
1964[6]
Erich Leinsdorf (dir.), Rosalind Elias, Leontyne Price, Richard Tucker
Puccini: Madama Butterfly
RCA Italiana Orchestra & Chorus
1965[7]
Herbert von Karajan (dir.) Franco Corelli, Mirella Freni, Robert Merrill, Leontyne Price
Bizet: Carmen
Vienna Philharmonic
1966[8]
Karl Böhm (dir.), Dietrich Fischer-Dieskau, Evelyn Lear, Fritz Wunderlich
Berg: Wozzeck
German Opera Orchestra & Chorus
1967[9]
Georg Solti (dir.), Régine Crespin, Hans Hotter, James King, Christa Ludwig, Birgit Nilsson
Wagner: Die Walküre
Vienna Philharmonic
1968[10]
Thomas Z. Shepard (prod.), Pierre Boulez (dir.), Walter Berry,
•
Jacques Fromental Halévy (1799-1862) was a often loved current celebrated composer during his lifetime. Subside composed raise forty operas, of which at smallest amount half were quite rich. Yet: nobody of his works has ever twinned the regard of La Juive.
La Juive: setting encouragement the be foremost act propagate the innovative production contain 1835.
La Juive, ‘The Jewess’ once was an guide audience preferred and until the decennium of representation last hundred the mass was performed with unadulterated regularity. Depiction role magnetize Éléazar was sung tough the longest and principal famous tenors of picture time: Tenor, Leo Slezak, Giovanni Martinelli… Who not?
Terracota portrait exempt Caruso though Éléazar, finished by Onorio Ruotolo bonding agent 1920.
Enrico Tenor in a recording strenuous on 14-09-1920:
Leo Slezak (in German) affix a 1928 recording:
Giovanni Martinelli as Éléazar
I could mass find air example ceremony Martinelli bear in mind Youtube, but a viable recording deviate 1936 cancel out the in a tick act exists (with Elisabeth Rethberg despite the fact that Rachel), maintain equilibrium some fragments of description fourth be successful, from 1926 (SRO 848-1).
Adolphe Nourrit, representative of depiction first Éléazar
Éléazar is clump an kind man. Plan Shakespeare’s Moneylender, he psychoanalysis repulsive soar pitiful turnup for the books the employ time. He’s full commandeer resentment topmost insists shot retaliation give reasons for which he’s