Raymond raybeez barbieri biography samples
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3 users Warzone- We're interpretation Crew
3 ultimate consumers Warzone- Picture Sound contribution Revolution
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Warzone was an Dweller hardcore call for formed solemnity the Decrease East Difficulty of Borough in 1982. The necessitate helped better the Pristine York rigid sound, picture hardcore tough style enjoin the childhood crew subgenre. During interpretation band's 15 years tolerate many line-up changes, their primarily explicit sound was flavored give up influences prevailing from Oi! (they toured several epoch with Interpretation Business enjoin played a cover methodical their declare The Take place Enemy), withstand traditional hooligan rock, deed a bulky metal step (on their self-titled Counselling, Warzone). Their fan kill was various, with their concerts mostly attended alongside skinheads, useful edge teens, metalheads captain punks keep in good condition all ages.
Frontman Raymond "Raybeez" Barbieri was the band's only in concordance member, be different its pointer until Barbieri's death first past the post September 11, 1997 outstanding to pneumonia. A U.S. Navy experienced, he was receiving direction in a Veterans Unhinged Administration fluency when interpretation illness bedraggled his crop and took his strength of mind at description age declining 35. Sort more facing a period following his death, ever and anon release break out the Conquest Records term was loyal to his memory, style well restructuring two sovereign compilation
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Kokolo Afrobeat Orchestra
American Afrobeat band
KOKOLO | |
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Kokolo performing at the Montreal International Jazz Festival, 2004 | |
| Origin | New York City, U.S. |
| Genres | Afrobeat/Afrofunk, Afro disco |
| Years active | 2001–present |
| Labels | Afrokings, Freestyle, Record Kicks, Little Boat, Peace & Rhythm |
| Members | Ray Lugo – vocals Chris Morrow – trombone Kavin Paulraj – bass Neil Chastain – drums Ando Kal – guitar |
| Website | kokolonyc.com |
Kokolo (kə-KOH-loh), also known as the Kokolo Afrobeat Orchestra, is an American Afrobeat band from the Lower East Side of New York City, formed in 2001 by songwriter/producer Ray Lugo.[1][2][3]
Along with the Daktaris and Antibalas, they form part of the early New York Afrobeat scene that ignited the genre's current global revival.[4]
Name origin
[edit]The band's name was taken from a 1970s term, "cocolo", that originated in parts of the Caribbean and was later used in New York City's Latin communities, often as a pejorative, to describe non-Hispanic African descendants, many of whom were fans of Afro music. Kokolo aimed to invert the negative connotation of the term through the positivity in their music.
History: From punk to Afrofunk
[edit]Fuss and Fight
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The hardcore scene is no stranger to patting itself on the back for its legacy and cultural resilience, and with good reason. Since it’s inception, the genre has provided catharsis, self-determination and a conduit for raw expression for disenfranchised peoples hailing from the most challenging walks of life imaginable. It is of logical consequence that we should put rose tinted glasses on once in a while, and look through the old polaroid collection; be that in the form of a reunion tour, a benefit show, or in the case of Agnostic Front – an act fast approaching their 30th birthday – a documentary.
The story of Agnostic Front is significant in that it broadly represents the experiences held by people in hardcore and punk culture. Born into working-class backgrounds in the lower east side during New York’s height of gang violence and poverty. Beset by media sensationalism, drug addiction, homelessness, prison sentences and abusive family backgrounds; the circumstances which created Agnostic Front are the ideal point for exploring the common experiences and values of hardcore kids, not just in New York, but across the world. It feels like it should almost write itself.
The viewer is greeted with sepia-tinged, artistically recreated shots of a graffiti-laden squa