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Chapter 5 Guise and Disguise Before and During the Tanzimat
In , French war illustrator Georges Bertin Scott de Plagnolle (–) was entrusted by Henri Moser with producing colour images for a portfolio presenting his Middle Eastern arms and armour displayed at Charlottenfels, the “castle,” or rather mansion, which he had bought in Neuhausen (Switzerland) and where he had installed a fumoir arabe [Islamic style smoking room]. Scott brings colour and detail to the type of display favoured by many collectors throughout the nineteenth century. (Fig. ) Sets of vibrant draperies and rugs hang in order to orientalise the armoury. The room is replete with artefacts. The plate creates an image of plentifulness. Daggers are aligned in glass cases or arranged in mural trophies, while sets of armour are worn by papier mâché mannequins. Other illustrations in the book show mannequins mounted on horses. All were crafted by the Parisian firm Georges Hallé Fils & Successeur.1 In the background, one can discern the owner himself by one of his cuirasses. His likeness is modelled after a photograph of Moser in travelling garb, a fur-lined kaftan [from the Persian khaftān] worn over capacious embroidered pants with a cashmere shawl tied around the waist. (Fig. )
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Editio princeps of the most important source for the life of great conqueror Timur (Tamerlane), this copy a testament to its scholarly importance, being extensively annotated in Arabic, Latin, and English in several different hands, some pages with meticulous interlinear Latin manuscript translation. A series of early handwritten notes laid in, with lengthy commentary cross-referenced against the text, is further evidence of diligent study. The author Ibn 'Arabshah () was deported to Samarkand as a young boy, when Timur conquered his home city of Damascus around In Samarkand he was trained as a court secretary, and studied under the great scholars of Central Asia, learning Persian, Turkish and Mongol. Travelling through the Crimea he stopped at Adrianople, where he entered the service of Ottoman sultan Mehmed. He returned eventually to Damascus, completing his account in His account, known in Arabic as 'Aja'ib al-maqdur fi-nawa'ib Taymur ("The Wonders of Destiny Concerning the Ravages of Timur"), is considered "one of the highlights of late-Classical Arabic literature" (Miller, p. ). Its scrupulous depiction of Timur's life and conquests have provided an important counterweight to the numerous hagiographies by Timurid court officials, and &